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The Norslunda Runestone, bearing runic inscription U 419, which mentions the personal name Kylfingr The Kylfings (Old NorseKylfingar; EstonianKalevid; HungarianKölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabical-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also a matter of much debate.
German reconnaissance picture of Sovetsky Soyuz taken in June 1942
The Sovetsky Soyuz-class battleships (Project 23, Russian: Советский Союз, 'Soviet Union'), also known as "Stalin's Republics", were a class of battleships begun by the Soviet Union in the late 1930s but never brought into service. They were designed in response to the Bismarck-class battleships being built by Germany. Only four hulls of the fifteen originally planned had been laid down by 1940, when the decision was made to cut the program to only three ships to divert resources to an expanded army rearmament program.
These ships would have rivaled the Imperial JapaneseYamato class and America's planned Montana class in size if any had been completed, although with significantly weaker firepower: nine 406-millimeter (16 in) guns compared to the nine 460-millimeter (18.1 in) guns of the Japanese ships and a dozen 16-inch (406 mm) on the Montanas. The failure of the Soviet armor plate industry to build cemented armor plates thicker than 230 millimeters (9.1 in) would have negated any advantages from the Sovetsky Soyuz class's thicker armor in combat. (Full article...)
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Rostislav between 1907 and 1916.
Rostislav was a pre-dreadnought battleship built by the Nikolaev Admiralty Shipyard in the 1890s for the Black Sea Fleet of the Imperial Russian Navy. She was conceived as a small, inexpensive coastal defence ship, but the Navy abandoned the concept in favor of a compact, seagoing battleship with a displacement of 8,880 long tons (9,022 t). Poor design and construction practices increased her actual displacement by more than 1,600 long tons (1,626 t). Rostislav became the world's first capital ship to burn fuel oil, rather than coal. Her combat ability was compromised by the use of 10-inch (254 mm) main guns instead of the de facto Russian standard of 12 inches (305 mm).
Her hull was launched in September 1896, but non-delivery of the ship's main guns delayed her maiden voyage until 1899 and her completion until 1900. In May 1899 Rostislav became the first ship of the Imperial Navy to be commanded by a member of the House of Romanov, Captain Alexander Mikhailovich. From 1903 to 1912 the ship was the flagship of the second-in-command of the Black Sea Fleet. During the 1905 Russian Revolution her crew was on the verge of mutiny, but ultimately remained loyal to the regime, and actively suppressed the mutiny of the cruiser Ochakov. (Full article...)
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A bowl of borscht garnished with sour cream and dill
Borscht (English: /ˈbɔːrʃt/ⓘ) is a sour soup, made with meat stock, vegetables and seasonings, common in Eastern Europe and Northern Asia. In English, the word borscht is most often associated with the soup's variant of Ukrainian origin, made with red beetroots as one of the main ingredients, which give the dish its distinctive red color. The same name, however, is also used for a wide selection of sour-tasting soups without beetroots, such as sorrel-based green borscht, rye-based white borscht, and cabbage borscht.
Borscht derives from an ancient soup originally cooked from pickled stems, leaves and umbels of common hogweed (Heracleum sphondylium), an herbaceous plant growing in damp meadows, which lent the dish its Slavic name. With time, it evolved into a diverse array of tart soups, among which the Ukrainian beet-based red borscht has become the most popular. It is typically made by combining meat or bone stock with sautéed vegetables, which—as well as beetroots—usually include cabbage, carrots, onions, potatoes, and tomatoes. Depending on the recipe, borscht may include meat or fish, or be purely vegetarian; it may be served either hot or cold, and it may range from a hearty one-pot meal to a clear broth or a smooth drink. It is often served with smetana or sour cream, hard-boiled eggs or potatoes, but there exists an ample choice of more involved garnishes and side dishes, such as uszka or pampushky, that can be served with the soup. (Full article...)
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1876 portrait
Anna Pavlovna Filosofova (Russian: Анна Павловна Философова; néeDiaghileva; 5 April 1837 – 17 March 1912) was a major Russian feminist and activist of the 19th and early 20th centuries.
Born into a wealthy, noble family, she married Vladimir Filosofov at a young age; they had six children. Initially concerned with the plight of serfs, Filosofova became a feminist in the late 1850s after joining the salon of Maria Trubnikova, who educated her on the subject. Alongside Trubnikova and Nadezhda Stasova, Filosofova was one of the earliest leaders of the Russian women's movement. Together, the three friends and allies were referred to as the "triumvirate". They founded and led several charitable organizations designed to promote women's cultural and economic independence, such as the Society for Cheap Lodgings and Other Benefits for the Citizens of St. Petersburg. Filosofova served as the president of that organization for several years. (Full article...)
Dubnium does not occur naturally on Earth and is produced artificially. The Soviet Joint Institute for Nuclear Research (JINR) claimed the first discovery of the element in 1968, followed by the American Lawrence Berkeley Laboratory in 1970. Both teams proposed their names for the new element and used them without formal approval. The long-standing dispute was resolved in 1993 by an official investigation of the discovery claims by the Transfermium Working Group, formed by the International Union of Pure and Applied Chemistry and the International Union of Pure and Applied Physics, resulting in credit for the discovery being officially shared between both teams. The element was formally named dubnium in 1997 after the town of Dubna, the site of the JINR. (Full article...)
The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Partypolyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. (Full article...)
Nihonium was first reported to have been created in experiments carried out between 14 July and 10 August 2003, by a Russian–American collaboration at the Joint Institute for Nuclear Research (JINR) in Dubna, Russia, working in collaboration with the Lawrence Livermore National Laboratory in Livermore, California, and on 23 July 2004, by a team of Japanese scientists at Riken in Wakō, Japan. The confirmation of their claims in the ensuing years involved independent teams of scientists working in the United States, Germany, Sweden, and China, as well as the original claimants in Russia and Japan. In 2015, the IUPAC/IUPAP Joint Working Party recognised the element and assigned the priority of the discovery and naming rights for the element to Riken. The Riken team suggested the name nihonium in 2016, which was approved in the same year. The name comes from the common Japanese name for Japan (日本, nihon). (Full article...)
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A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry. During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.
Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
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With the pale yellow rump visible. Buryatia, Russia.
Pallas's leaf warbler is one of the smallest Palearcticwarblers, with a relatively large head and short tail. It has greenish upperparts and white underparts, a lemon-yellow rump, and yellow double wingbars, supercilia and central crown stripe. It is similar in appearance to several other Asian warblers, including some that were formerly considered to be subspecies of it, although its distinctive vocalisations aid identification. (Full article...)
The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. Le Sacre du printemps was the third such major project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original, which saw only eight performances. Massine's was the forerunner of many innovative productions directed by the world's leading choreographers, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles. (Full article...)
The Solovetsky Monastery is a Russian Orthodox monastery in Solovetsky, Arkhangelsk, Russia. Founded in 1436 by the monk Zosima, the monastery grew in power into the 16th century, becoming an economic and political center of the White Sea region and eventually hosting 350 monks. After the Bolshevik Revolution, Soviet authorities closed down the monastery and incorporated many of its buildings into Solovki prison camp, one of the earliest forced-labor camps of the gulag system. The camp closed after the region's trees had been harvested. Today the monastery has been re-established, and also serves as a museum.
The Last Day of Pompeii is an oil painting on canvas completed by the Russian artist Karl Bryullov between 1830 and 1833. The painting is based on sketches the artist completed in 1828 while visiting Pompeii, a city destroyed by the eruption of Mount Vesuvius in 79 AD. It is now held in the State Russian Museum.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
Ivan Goremykin (1839–1917) was a Russian prime minister during World War I. A politician with archconservative views, after some time in the Ministry of Justice, he transferred to the Ministry of the Interior in 1891. He held the rank of prime minister from May to July 1906 and again from 1914 to 1916; during both terms his effectiveness was strongly limited by opposition from the State Duma. In the aftermath of the October Revolution, Goremykin was recognized as a member of the Tsarist government and killed by a street mob.
Maslenitsa, a 1919 painting depicting the carnival of the same name, which takes place the last week before Great Lent. The painting encompasses a broad range of things associated with Russia, such as snowy winter weather, a troika, an Orthodox church with onion domes. Painted in the aftermath of the October Revolution, the canvas was intended as a farewell to the unspoilt "Holy Russia" of yore.
Photograph credit: Arto Jousi; restored by Adam Cuerden
Yuri Gagarin (9 March 1934 – 27 March 1968) was a Soviet Air Forces pilot and cosmonaut who became the first human to journey into outer space; his capsule, Vostok 1, completed a single orbit of Earth on 12 April 1961. Gagarin became an international celebrity and was awarded many medals and titles, including Hero of the Soviet Union, his nation's highest honour. In 1967, he served as a member of the backup crew for the ill-fated Soyuz 1 mission, after which the Russian authorities, fearing for the safety of such an iconic figure, banned him from further spaceflights. However, he was killed the following year, when the MiG-15 training jet that he was piloting with his flight instructor Vladimir Seryogin crashed near the town of Kirzhach.
This photograph of Gagarin, dated July 1961, was taken at a press conference during a visit to Finland approximately three months after his spaceflight.
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové.
This photograph of Skudina, taken in 2009, is part of a collection of 500 images of Russian sportspeople released to Wikimedia Commons by Bolshoi Sport.
A map detailing the events of the 2008 South Ossetia war, which began one year ago today, when Georgia launched an operation in the disputed region of South Ossetia. Ossetian, Russian, and Abkhazian forces ejected the Georgian forces after five days of heavy fighting. All parties reached a ceasefire agreement on August 12, and Russian troops remain stationed in Abkhazia and South Ossetia to this day.
The Tauride Palace is one of the largest and most historic palaces in Saint Petersburg, Russia. It was designed by Ivan Starov for Prince Grigory Potemkin, and was constructed between 1783 and 1789. After the owner's death, it was purchased by Catherine the Great, who constructed a theatre in the east wing and a church in the west wing. Many improvements were also made to the grounds, including construction of the Admiralty Pavilion, the gardener house, the orangery, glass-houses, bridges, and ironwork fences. Although the exterior of the building was rather plain, the interior was very luxurious. More recently, the building housed the first Imperial State Duma (1906–1917) and the post-revolution provisional government.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
... that Russian Jewish painter Marc Chagall created the windows of the St Stephan church(pictured) in Mainz as a sign of Jewish-German reconciliation?
January 25, 1721 - Peter established the Holy Synod, a body of ten clergymen chaired by a secular official, that was to head the Russian Orthodox Church in lieu of the Patriarch of Moscow.
January 28, 1725 - Peter died of urinary problems. He failed to name a successor; one of Peter's closest advisers, Aleksandr Menshikov, convinced the Imperial Guard to declare in favor of Peter's wife Catherine I.
Olga was raised at the Gatchina Palace outside Saint Petersburg. Olga's relationship with her mother, Empress Marie, the daughter of King Christian IX of Denmark, was strained and distant from childhood. In contrast, she and her father were close. He died when she was 12, and her brother Nicholas became emperor. In 1901, at 19, she married Duke Peter Alexandrovich of Oldenburg, who was privately believed by family and friends to be homosexual. Their marriage of 15 years remained unconsummated, and Peter at first refused Olga's request for a divorce. The couple led separate lives and their marriage was eventually annulled by the Emperor in October 1916. The following month Olga married cavalry officer Nikolai Kulikovsky, with whom she had fallen in love several years before. During the First World War, Olga served as an army nurse and was awarded a medal for personal gallantry. At the downfall of the Romanovs in the Russian Revolution of 1917, she fled with her husband and children to Crimea, where they lived under the threat of assassination. Her brother Nicholas and his family were shot and bayoneted to death by revolutionaries. (Full article...)
A Russian drone attacked a civilian passenger bus in Ukraine's city of Kherson, reportedly killing at least one person and injuring nine more. (Reuters)
According to Slovakia a meeting between Slovak, Ukrainian and European Commission officials over gas supplies scheduled for Tuesday has been cancelled because Ukraine refuses to participate. (Reuters)
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![Image 13 Bolshoi Theatre Photograph: DmitriyGuryanov The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové. More selected pictures](/wiki/File:Moscow-Bolshoi-Theare-1.jpg)
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