Chris Korda

Chris Korda
Born	1962 (age 61–62) New York City, U.S.
Nationality	American
Occupation(s)	Artist, Musician, Software Developer, Activist
Known for	Founder of the Church of Euthanasia
Father	Michael Korda
Relatives	Vincent Korda (grandfather) Alexander Korda (great-uncle) Zoltan Korda (great-uncle)
Website	Official website of Chris Korda

Chris Korda (born 1962) is an American artist, electronic musician, software developer, and environmental activist, best known as the leader of the Church of Euthanasia. Korda's work combines provocative performance art with political and environmental activism, challenging societal norms and advocating for sustainable living.

Early life and education

Chris Korda was born in 1962 in New York City into a family with a intellectual and artistic background. Korda is the daughter of Michael Korda and his first wife, Carolyn Keese. She is the granddaughter of art director Vincent Korda, and the great-niece of film directors Alexander Korda and Zoltan Korda. She is a graduate of the Hammonasset School.

Career

Artistic work

In 1992, Korda founded the Church of Euthanasia, a satirical religious organization advocating for population reduction through non-traditional methods, including abortion, cannibalism, and sodomy. The Church's slogan, "Save the Planet, Kill Yourself," garnered significant media attention and sparked controversy. Korda used this platform to raise awareness about overpopulation and environmental degradation.

In 1995, Korda, together with Lydia Eccles, launched the campaign Unabomber for President. This campaign took the form of a political action committee, Unabomber Political Action Committee (UNAPACK). The group supported the arguments set forth in the Unabomber Manifesto, but not Ted Kaczynski himself.

The Church of Euthanasia's activities often involved performance art, including provocative demonstrations and multimedia presentations.

The music video "I Like To Watch", which was published on the website of the Church of Euthanasia after the terrorist attacks on September 11, 2001, provoked massive criticism. It combined footage from the coverage of the attacks with excerpts from pornographic films and sporting events.

In 2022, the "Le Confort Moderne" main gallery showed a retrospective of Korda's work. Artforum magazine wrote about the exhibition: "The cumulative effect of these pieces, ... is to sow doubt. Korda, ... excels at appropriating the very language and tools of political populism and evangelism that are prevalent across mass media and culture." Frieze Magazine reviewed the exhibition and wrote: "Korda's primary aim is to raise awareness about the environmental crisis and the need for radical solutions. Her secondary aim, ..., is to revitalize human creativity through collaboration with machines. She explores this project as a software developer, creating programs designed to generate forms and music exceeding human capacities."

In 2024, Korda's work was featured in an exhibition titled "Artist's Con(tra)ception" at the Kölnischer Kunstverein in Germany. This exhibition showcased the depth of Korda's artistic contributions, presenting her blend of art, activism, and performance.

Musical work

Korda's musical career is deeply intertwined with her activism. Korda began experimenting with electronic music in the late 1980s, using synthesizers and computer software to create innovative soundscapes. As an electronic/techno musician, Korda has released several LPs, singles, and EPs. Notable albums include Six Billion Humans Can't Be Wrong (1999), The Man of the Future (2003), and Akoko Ajeji (2019).

Korda toured Europe with the album The Man of the Future, released in 2003 by the German electronic music record label International Deejay Gigolo Records. Korda has performed at numerous electronic music festivals and events worldwide, including the Sonar Music Festival in Barcelona in 2001. Korda's live performances often feature the use of her own software.

Software development

In addition to her artistic and musical endeavors, Korda is a software developer. In 2008, Korda designed Fractice, a fractal renderer. She is also the inventor of music software such as Waveshop (2013), a bit-perfect lossless free audio editor, and ChordEase (2014), a free software tool that simplifies playing notes on any MIDI instrument. ChordEase was presented at the 2015 International Conference on New Interfaces for Musical Expression.

Artistic style and techniques

Korda's artistic style is characterized by a blend of performance art, electronic music, and software development. Technologically adept, Korda frequently incorporates custom software and advanced production techniques into her music. The provocative and often controversial nature of Korda's work challenges societal norms and encourages critical thinking about environmental and political issues.

Personal Life

Korda identifies as transgender and has been open about her gender identity.

Reception and Legacy

Korda's work has been both celebrated and criticized for its unorthodox approach and provocative messaging. While some view Korda as a visionary artist and activist, others see the methods employed by the Church of Euthanasia as extreme and controversial.

Selected discography

Albums

• Six Billion Humans Can't Be Wrong (1999) – DJ Mix; as Chris Korda & The Church Of Euthanasia; International Deejay Gigolos
• The Man Of The Future (2003) – International Deejay Gigolo Records
• Victim Of Leisure – Live @ BURN.FM (2004) – Platoniq
• Akoko Ajeji (2019) – Perlon
• Polymeter (2020) – Mental Groove Records
• Apologize To The Future (2020) – Perlon
• More Than Four (2022) – Chapelle XIV, CHXIV05, 12" x 2 + Digital

Singles and EPs

• Save The Planet, Kill Yourself (1993) – Kevorkian Records
• Save The Planet, Kill Yourself (Re-Release; 1997) – International Deejay Gigolos
• Sex Is Good (1998) – International Deejay Gigolos
• I Like To Watch (2002) – Null Records
• When It Rains EP (2002) – International Deejay Gigolos
• The Man Of The Future (2003) – International Deejay Gigolos
• Magic Cookie EP (2020) – Partout
• Indirect Methods (2022) – Kevorkian Records, Kevorkian 6, Digital
• Passion For Numbers (2022) – Mental Groove, MG135, 12" + Digital
• Primitive Man (2023) – Yoyaku / YYK No Label, YYKordaPM, 12" + Digital
• Not My Problem, I'll Be Dead (2023) – Yoyaku / YYK No Label, BBB, 12" + Digital
• Avenging Angels of Software (2024) – Slacker 85, HRL010, 12" + Digital

Bibliography

• Interviews and articles in music and technology publications
• Essays and writings on environmental activism and population control

External links

• Official website of the Church of Euthanasia
• Chris Korda's blog
• Chris Korda at IMDb
• Chris Korda discography at Discogs
• Podcast with Chris Korda for Radio Web MACBA, 2021
• Artist's Con(tra)ception Exhibition at Kölnischer Kunstverein
• "Chris Korda: "Se l'umanità si estinguesse, la Terra starebbe molto meglio"". Rolling Stone Italia. 23 May 2024. Retrieved 2024-07-22.
• "Chris Korda announces her first major solo show". Resident Advisor. Retrieved 2024-07-22.
• "Interview: Chris Korda's Bold Challenge to Humanity's Future". Bandcamp Daily. 30 October 2023. Retrieved 2024-07-22.
• Simon, Vincent (7 July 2022). "Chris Korda: Woman of the Future". Frieze (230). Retrieved 2024-07-22.
• "Chris Korda Interview: Despite our hard-won wisdom, we rampage like crazed beasts". Juno Daily. Retrieved 2024-07-22.
• "Church of Euthanasia". Discours. Retrieved 2024-07-22.
• "Chris Korda dans ses cordes chez Circuit". 24 Heures. 19 January 2023. Retrieved 2024-07-22.
• Broder, Henryk M. (1996). "Macht Liebe, nicht Babies". Der Spiegel. Archived from the original on 2021-03-10. Retrieved 2023-07-22.{{cite web}}: CS1 maint: bot: original URL status unknown (link)